Posts tagged as museday
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- Tuesday, August 31, 2010:
Museday Tuesday As part of this feature, which I started in 2007 , I compose a very brief work (under 30 seconds) inspired by a randomly generated title from an online word generator. The composition can be for any instrumentation, and could even be a purely synthesized realization that might not be possible to perform in the real world. I work on the excerpt continuously for an hour and then post whatever I've managed to complete, even if it's a poorly constructed slum of a ... - Tuesday, August 10, 2010:
Museday Tuesday As part of this feature, which I started in 2007 , I compose a very brief work (under 30 seconds) inspired by a randomly generated title from an online word generator. The composition can be for any instrumentation, and could even be a purely synthesized realization that might not be possible to perform in the real world. I work on the excerpt continuously for an hour and then post whatever I've managed to complete, even if it's a poorly constructed slum of a ... - Tuesday, August 03, 2010:
Museday Tuesday As part of this feature, which I started in 2007 , I compose a very brief work (under 30 seconds) inspired by a randomly generated title from an online word generator. The composition can be for any instrumentation, and could even be a purely synthesized realization that might not be possible to perform in the real world. I work on the excerpt continuously for an hour and then post whatever I've managed to complete, even if it's a poorly constructed slum of a ... - Tuesday, June 29, 2010:
Museday Tuesday As part of this feature, which I started in 2007 , I compose a very brief work (under 30 seconds) inspired by a randomly generated title from an online word generator. The composition can be for any instrumentation, and could even be a purely synthesized realization that might not be possible to perform in the real world. I work on the excerpt continuously for an hour and then post whatever I've managed to complete, even if it's a poorly constructed slum of a ... - Tuesday, June 08, 2010:
Museday Tuesday As part of this feature, which I started in 2007 , I compose a very brief work (under 30 seconds) inspired by a randomly generated title from an online word generator. The composition can be for any instrumentation, and could even be a purely synthesized realization that might not be possible to perform in the real world. I work on the excerpt continuously for an hour and then post whatever I've managed to complete, even if it's a poorly constructed slum of a ... - Tuesday, May 25, 2010:
Museday Tuesday As part of this feature, which I started in 2007 , I compose a very brief work (under 30 seconds) inspired by a randomly generated title from an online word generator. The composition can be for any instrumentation, and could even be a purely synthesized realization that might not be possible to perform in the real world. I work on the excerpt continuously for an hour and then post whatever I've managed to complete, even if it's a poorly constructed slum of a ... - Tuesday, May 18, 2010:
Museday Tuesday As part of this feature, which I started in 2007 , I compose a very brief work (under 30 seconds) inspired by a randomly generated title from an online word generator. The composition can be for any instrumentation, and could even be a purely synthesized realization that might not be possible to perform in the real world. I work on the excerpt continuously for an hour and then post whatever I've managed to complete, even if it's a poorly constructed slum of a ... - Tuesday, April 20, 2010:
Museday Tuesday As part of this feature, which I started in 2007 , I compose a very brief work (under 30 seconds) inspired by a randomly generated title from an online word generator. The composition can be for any instrumentation, and could even be a purely synthesized realization that might not be possible to perform in the real world. I work on the excerpt continuously for an hour and then post whatever I've managed to complete, even if it's a poorly constructed slum of a ... - Tuesday, April 13, 2010:
Museday Tuesday As part of this feature, which I started in 2007 , I compose a very brief work (under 30 seconds) inspired by a randomly generated title from an online word generator. The composition can be for any instrumentation, and could even be a purely synthesized realization that might not be possible to perform in the real world. I work on the excerpt continuously for an hour and then post whatever I've managed to complete, even if it's a poorly constructed slum of a ... - Tuesday, April 06, 2010:
Museday Tuesday As part of this feature, which I started in 2007 , I compose a very brief work (under 30 seconds) inspired by a randomly generated title from an online word generator. The composition can be for any instrumentation, and could even be a purely synthesized realization that might not be possible to perform in the real world. I work on the excerpt continuously for an hour and then post whatever I've managed to complete, even if it's a poorly constructed slum of a ... - Tuesday, March 30, 2010:
Museday Tuesday As part of this feature, which I started in 2007 , I compose a very brief work (under 30 seconds) inspired by a randomly generated title from an online word generator. The composition can be for any instrumentation, and could even be a purely synthesized realization that might not be possible to perform in the real world. I work on the excerpt continuously for an hour and then post whatever I've managed to complete, even if it's a poorly constructed slum of a ... - Tuesday, March 16, 2010:
Museday Tuesday As part of this feature, which I started in 2007 , I compose a very brief work (under 30 seconds) inspired by a randomly generated title from an online word generator. The composition can be for any instrumentation, and could even be a purely synthesized realization that might not be possible to perform in the real world. I work on the excerpt continuously for an hour and then post whatever I've managed to complete, even if it's a poorly constructed slum of a ... - Tuesday, February 23, 2010:
Museday Tuesday As part of this feature, which I started in 2007 , I compose a very brief work (under 30 seconds) inspired by a randomly generated title from an online word generator. The composition can be for any instrumentation, and could even be a purely synthesized realization that might not be possible to perform in the real world. I work on the excerpt continuously for an hour and then post whatever I've managed to complete, even if it's a poorly constructed slum of a ... - Tuesday, February 16, 2010:
Museday Tuesday As part of this feature, which I started in 2007 , I compose a very brief work (under 30 seconds) inspired by a randomly generated title from an online word generator. The composition can be for any instrumentation, and could even be a purely synthesized realization that might not be possible to perform in the real world. I work on the excerpt continuously for an hour and then post whatever I've managed to complete, even if it's a poorly constructed slum of a ... - Tuesday, January 26, 2010:
Museday Tuesday As part of this feature, which I started in 2007 , I compose a very brief work (under 30 seconds) inspired by a randomly generated title from an online word generator. The composition can be for any instrumentation, and could even be a purely synthesized realization that might not be possible to perform in the real world. I work on the excerpt continuously for an hour and then post whatever I've managed to complete, even if it's a poorly constructed slum of a so... - Tuesday, January 19, 2010:
Museday Tuesday As part of this feature, which I started in 2007 , I compose a very brief work (under 30 seconds) inspired by a randomly generated title from an online word generator. The composition can be for any instrumentation, and could even be a purely synthesized realization that might not be possible to perform in the real world. I work on the excerpt continuously for an hour and then post whatever I've managed to complete, even if it's a poorly constructed slum of a ... - Tuesday, December 22, 2009:
Museday Tuesday Wrap-up Supernatant (1:57 MP3) This short piece is an extended version of the Museday fragment written on June 2, 2009 . The piece is written for woodwinds, strings, and some rangly-jangly percussion effects. I wrote it over the course of a week, generally spending about two hours at a time on it. Even though I had to end it to fit in the two-minute bubble, I feel like there are plenty more ideas to expand upon... - Tuesday, December 01, 2009:
Museday Voteday I was only able to write fifteen musical fragments for Museday Tuesday this year, but this brings me up to 28 minutes combined over the past three years. During the month of December, I'll extend one of these works to a full-length piece about two minutes long. Vote for the one I should extend using the Poll in the right sidebar and I'll post the extended work on December 22. Any snippet with the double-thumbs-up icon next to it is eligible for your vote (these are the ones that se... - Tuesday, November 10, 2009:
Museday Tuesday The composition can be for any instrumentation. It can have an actual score or be a pure synthesized realization that might not be possible to perform in the real world. It must not be longer than thirty seconds. It does not necessarily have to have a start, middle, and end -- it can just be a fragment of something grander. It should be composed in thirty minutes or less. If time runs out, I post whatever I managed to finish, be it good,... - Tuesday, November 03, 2009:
Museday Tuesday The composition can be for any instrumentation. It can have an actual score or be a pure synthesized realization that might not be possible to perform in the real world. It must not be longer than thirty seconds. It does not necessarily have to have a start, middle, and end -- it can just be a fragment of something grander. It should be composed in thirty minutes or less. If time runs out, I post whatever I managed to finish, be it good,... - Tuesday, September 29, 2009:
Museday Tuesday The composition can be for any instrumentation. It can have an actual score or be a pure synthesized realization that might not be possible to perform in the real world. It must not be longer than thirty seconds. It does not necessarily have to have a start, middle, and end -- it can just be a fragment of something grander. It should be composed in thirty minutes or less. If time runs out, I post whatever I managed to finish, be it good,... - Tuesday, September 01, 2009:
Museday Tuesday The composition can be for any instrumentation. It can have an actual score or be a pure synthesized realization that might not be possible to perform in the real world. It must not be longer than thirty seconds. It does not necessarily have to have a start, middle, and end -- it can just be a fragment of something grander. It should be composed in thirty minutes or less. If time runs out, I post whatever I managed to finish, be it good,... - Tuesday, August 25, 2009:
Museday Tuesday The composition can be for any instrumentation. It can have an actual score or be a pure synthesized realization that might not be possible to perform in the real world. It must not be longer than thirty seconds. It does not necessarily have to have a start, middle, and end -- it can just be a fragment of something grander. It should be composed in thirty minutes or less. If time runs out, I post whatever I managed to finish, be it good,... - Tuesday, August 11, 2009:
Museday Tuesday The composition can be for any instrumentation. It can have an actual score or be a pure synthesized realization that might not be possible to perform in the real world. It must not be longer than thirty seconds. It does not necessarily have to have a start, middle, and end -- it can just be a fragment of something grander. It should be composed in thirty minutes or less. If time runs out, I post whatever I managed to finish, be it good,... - Tuesday, August 04, 2009:
Museday Tuesday The composition can be for any instrumentation. It can have an actual score or be a pure synthesized realization that might not be possible to perform in the real world. It must not be longer than thirty seconds. It does not necessarily have to have a start, middle, and end -- it can just be a fragment of something grander. It should be composed in thirty minutes or less. If time runs out, I post whatever I managed to finish, be it good,... - Tuesday, July 14, 2009:
Museday Tuesday The composition can be for any instrumentation. It can have an actual score or be a pure synthesized realization that might not be possible to perform in the real world. It must not be longer than thirty seconds. It does not necessarily have to have a start, middle, and end -- it can just be a fragment of something grander. It should be composed in thirty minutes or less. If time runs out, I post whatever I managed to finish, be it good,... - Tuesday, June 16, 2009:
Museday Tuesday The composition can be for any instrumentation. It can have an actual score or be a pure synthesized realization that might not be possible to perform in the real world. It must not be longer than thirty seconds. It does not necessarily have to have a start, middle, and end -- it can just be a fragment of something grander. It should be composed in thirty minutes or less. If time runs out, I post whatever I managed to finish, be it good,... - Tuesday, June 02, 2009:
Museday Tuesday The composition can be for any instrumentation. It can have an actual score or be a pure synthesized realization that might not be possible to perform in the real world. It must not be longer than thirty seconds. It does not necessarily have to have a start, middle, and end -- it can just be a fragment of something grander. It should be composed in thirty minutes or less. If time runs out, I post whatever I managed to finish, b... - Tuesday, May 19, 2009:
Museday Tuesday The composition can be for any instrumentation. It can have an actual score or be a pure synthesized realization that might not be possible to perform in the real world. It must not be longer than thirty seconds. It does not necessarily have to have a start, middle, and end -- it can just be a fragment of something grander. It should be composed in thirty minutes or less. If time runs out, I post whatever I managed to finish, b... - Tuesday, April 07, 2009:
Museday Tuesday The composition can be for any instrumentation. It can have an actual score or be a pure synthesized realization that might not be possible to perform in the real world. It must not be longer than thirty seconds. It does not necessarily have to have a start, middle, and end -- it can just be a fragment of something grander. It should be composed in thirty minutes or less. If time runs out, I post whatever I managed to finish, b... - Tuesday, March 17, 2009:
Museday Tuesday The composition can be for any instrumentation. It can have an actual score or be a pure synthesized realization that might not be possible to perform in the real world. It must not be longer than thirty seconds. It does not necessarily have to have a start, middle, and end -- it can just be a fragment of something grander. It should be composed in thirty minutes or less. If time runs out, I post whatever I managed to finish, b... - Tuesday, February 03, 2009:
Museday Tuesday The composition can be for any instrumentation. It can have an actual score or be a pure synthesized realization that might not be possible to perform in the real world. It must not be longer than thirty seconds. It does not necessarily have to have a start, middle, and end -- it can just be a fragment of something grander. It should be composed in thirty minutes or less. If time runs out, I post whatever I managed to finish, b... - Tuesday, January 20, 2009:
Museday Tuesday The composition can be for any instrumentation. It can have an actual score or be a pure synthesized realization that might not be possible to perform in the real world. It must not be longer than thirty seconds. It does not necessarily have to have a start, middle, and end -- it can just be a fragment of something grander. It should be composed in thirty minutes or less. If time runs out, I post whatever I managed to finish, be it g... - Tuesday, December 23, 2008:
Museday Tuesday Wrap-up Afire (1:48 MP3) This short piece is an extended version of the Museday fragment written on March 4, 2008 . The piece is written for saxophones, violas, and trombones (also known as "the neglected instruments"), as well as various percussion instruments and drum machine effects). I wrote it over the course of two weeks, generally spending about an hour a day on it. The original fragment c... - Tuesday, December 02, 2008:
Museday Voteday During this year's Museday Tuesday featurette, I composed eighteen fragments of questionable musical impact. Now, it's time for the voting -- the fragment with the most votes will be extended into a longer work (about two minutes in length) and posted on December 23rd as an early Christmas present. Any snippet with the double-thumbs-up icon next to it is eligible for your vote (these are the ones that seem to have potential for expansion, and are not necessarily the best of the bun... - Tuesday, November 18, 2008:
Museday Tuesday Propulsive : (adj.) Tending to or capable of propelling My Composition (0:26 MP3) This definition made me think of all those high-school jazz charts with metronome speeds of 180 or higher, and the single word "Driving" as a tempo marking. In general, these charts were rarely as driving as intended, usually because of unskilled musicians and an overabundance of syncopation. By the time one of these pieces was ... - Tuesday, October 28, 2008:
Museday Tuesday Votary : (adj.) consecrated by a vow; of a devotee or a follower My Composition (0:30 MP3) For this definition, I pictured a scene from an epic Technicolor film with a lush orchestral score where the contrast is too sharp by half a notch. I envisioned the opening motive sung by a Russian bass, half an octave lower than the normal bass range, accompanied by brass and percussion. Unfortunately, M... - Tuesday, October 07, 2008:
Museday Tuesday Academic : (adj.) Theoretical or hypothetical; not practical, realistic, or directly useful My Composition (0:30 MP3) When I think of academic music, I picture lines of music education majors lined up for their continuation exams, hoping that they're just barely good enough at their instruments to continue with the part of the degree where playing is not required. I decided to write the intro... - Tuesday, September 23, 2008:
Museday Tuesday document.write(musedayMenuText) Owlish : (adj.) Resembling or characteristic of an owl My Composition (0:32 MP3) This excerpt is written for string section and percussion. Instead of directly composing a piece that felt owlish, I decided to write from the perspective of the mice being pursued by said owl. &nb... - Tuesday, August 26, 2008:
Museday Tuesday document.write(musedayMenuText) Lachrymose : (adj.) Suggestive of or tending to cause tears; mournful. My Composition (0:33 MP3) Other than being a possible substitute for pure sugar, "lachrymose" doesn't immediately present a strong mental picture. The definition seems to infer a maudlin quality over a bawly one. All in ... - Tuesday, August 19, 2008:
Museday Tuesday Uncomplicated : (adj.) Not complex or involved; simple My Composition (0:30 MP3) document.write(musedayMenuText) My initial thoughts for this word were vacation-y and beach-y, since any noun can become an adjective by appending a partial vowel on the end of it. When I sat down at the keyboard, it felt like I had a lot of Latin rhythms in my ... - Tuesday, July 15, 2008:
Frazzled : (adj.) Worn-out or fatigued My Composition (0:30 MP3) document.write(musedayMenuText) For this word, I envisioned nervous energy, constantly on the move, but slightly off-balance. I wrote it for a mythological banjo quintet that can ostensibly play without worrying about ranges because the homogenous nature of the sound seems to a... - Tuesday, June 24, 2008:
Boggy : (adj.) Wet and spongy My Composition (0:30 MP3) document.write(musedayMenuText) I started this piece with the quirky delayed music box sample and built around it, with an emphasis on sounds that have a sluggish attack. I then gave it a motor to distinguish it from an earlier Museday, Damp . Damp is more of a stationary ... - Tuesday, June 10, 2008:
Jerkwater : (adj.) Remote, small, and insignificant; Contemptibly trivial My Composition (0:32 MP3) document.write(musedayMenuText) For this one, I envisioned something that was inherently harmless but scorned solely on principle -- something that's pleasant enough but ultimately ignored. I used a woodwind ensemble to symbolize things tha... - Tuesday, June 03, 2008:
Flyblown : (adj.) Tainted or contaminated My Composition (0:30 MP3) document.write(musedayMenuText) The word, "contaminated", feels blatantly dangerous and intimidating, like nuclear waste or a brown swimming pool. However, "tainted" feels less apparent and more insidious, like getting food poisoning on a cruise ship from tainted meat. I ... - Tuesday, May 13, 2008:
Knightly : (adj.) Noble, courageous, generous My Composition (0:28 MP3) document.write(musedayMenuText) The first mental image that came to mind before looking up an actual definition was a double whammy -- Kiera Knightley starring as an anorexic waif of a damsel in distress, in one of those really bad period pieces from the 1980s. This f... - Tuesday, March 25, 2008:
Punchy : (adj.) being or appearing vigorously effective; forceful. My Composition (0:27 MP3) document.write(musedayMenuText) I stopped the random word generator on this word since it is also the intended name of Kathy and Chris' cat, who is sometimes mistakenly referred to as Titan. To me, there is nothing punchier than a minor ska tune.&... - Tuesday, March 18, 2008:
Stertorous : (adj.) Characterized by stertor or heavy snoring. My Composition (0:30 MP3) document.write(musedayMenuText) When I heard this word, I felt that a mechanical, methodical snoring motor would be far too easy so I thought of other ways to express the title. I somehow ended up with this Hindemith meets Swearingen concoction. I'm n... - Tuesday, March 04, 2008:
Afire : (adj.) Intensely interested; on fire My Composition (0:28 MP3) document.write(musedayMenuText) This was originally going to be a work for "Jay-Z and Violas", dedicated to Brianne's new tot, but most of Jay-Z's music tends to be a mishmash of beats and vamps underneath lyrics which he doesn't even write down. Since I am obviously n... - Tuesday, February 19, 2008:
Furfuraceous : (adj.) Covered with scaly particles, such as dandruff My Composition (0:30 MP3) document.write(musedayMenuText) This was a rather peculiar word, and one that I'm not liking to be using in a news post anytime soon. However, the image of dandruff inspired an itchy, scratchy, shaky feeling and suddenly I had a light Latin feel... - Tuesday, February 05, 2008:
Accursed : (adj.) Being under a curse; doomed. My Composition (0:28 MP3) document.write(musedayMenuText) This excerpt is written for a brass ensemble and a light smattering of percussion. Share your thoughts in the Comments section! Brits mix fact with fiction A refreshing glass of Gene Simmon... - Tuesday, January 22, 2008:
Effuse : (v.) To ooze, pour out or exude My Composition (0:28 MP3) document.write(musedayMenuText) The word, "ooze" caught my eye when I generated this random title, and gave me the mental image of a slow, inexorable flow of slime or sludge, slightly ominous and foreboding. U2 call themselves 'horrific' ... - Tuesday, January 08, 2008:
Damp : (adj.) slightly moist; unenthusiastic or depressed Listen (0:30 MP3) The problem with the slower pieces is that they end just as I start getting into them. This piece is for strings, marimba, flute, and solo viola. Share your imagery in the Comments section! For those of you who are new to the Museday Tuesday phenomenon (... - Tuesday, December 18, 2007:
Museday Tuesday Wrap-up Surefooted (2:02 MP3) Introducing Surefooted , a two-minute work based on a Museday Tuesday snippet originally written on November 6, 2007. The piece is loosely written for banjo, celeste, piano, fiddle, harmonica, horns, and percussion (because this most closely resembles the collection of instruments you might find thrown in the Grand Canyon, or other places the buffalo may or may not have roamed. "Loosely writte... - Tuesday, December 04, 2007:
Muesday Voteday It's a widely accepted fact that I am the leading American storehouse of musical knowledge, so it's no surprise that A&E referred to the Museday Tuesday phenomenon as "a rare glimpse at the inexorable and inevitable direction of modern music". Since I started this little featurette seven months ago, I've written sixteen short excerpts of varying musicality. Now that 2007 is coming to a close, it's time for you to pick your favourite snippet (out of a subset of MY... - Tuesday, November 27, 2007:
Museday Tuesday in which I have thirty minutes to write a thirty second song Chirk : (v.) to make a shrill chirping sound; to cheer up My Composition (0:30 MP3) Old Musedays: Sidelong Moodily Obnoxiously Obsessively &nbs... - Tuesday, November 20, 2007:
Museday Tuesday in which I have thirty minutes to write a thirty second song Chichi : (adj.) Ostentatiously stylish; deliberately chic. My Composition (0:30 MP3) Old Musedays: Sidelong Moodily Obnoxiously Obsessively &nb... - Tuesday, November 13, 2007:
Museday Tuesday in which I have thirty minutes to write a thirty second song Gamy : (adj.) Showing an unyielding spirit; plucky My Composition (0:30 MP3) Old Musedays: Sidelong Moodily Obnoxiously Obsessively ... - Tuesday, November 06, 2007:
Museday Tuesday in which I have thirty minutes to write a thirty second song Surefooted : (adj.) Not liable to stumble or fall. My Composition (0:30 MP3) Old Musedays: Sidelong Moodily Obnoxiously Obsessively &nbs... - Tuesday, October 23, 2007:
Museday Tuesday in which I have thirty minutes to write a thirty second song Trampled : (adj.) To tread heavily, roughly, or crushingly My Composition (0:29 MP3) Old Musedays: Sidelong Moodily Obnoxiously Obsessively &nb... - Tuesday, October 16, 2007:
Museday Tuesday in which I have thirty minutes to write a thirty second song Frowzy : (adj.) Dirty and untidy; slovenly / Ill-smelling; musty. My Composition (0:24 MP3) Old Musedays: Sidelong Moodily Obnoxiously Obsessively&n... - Tuesday, September 25, 2007:
Museday Tuesday in which I have thirty minutes to write a thirty second song Trifid : (adj.) Divided or cleft into three parts or lobes My Composition (0:30 MP3) Old Musedays: Sidelong Moodily Obnoxiously Obsessively &nb... - Tuesday, September 04, 2007:
Museday Tuesday in which I have thirty minutes to write a thirty second song Reclusive : (adj.) Seeking or preferring seclusion or isolation. My Composition (0:30 MP3) Old Musedays : Sidelong Moodily Obnoxiously Obsessively Spikiest ... - Tuesday, August 28, 2007:
Museday Tuesday in which I have thirty minutes to write a thirty second song Dinkiest : (adj.) the smallest, the least important, or the worst quality My Composition (0:30 MP3) Old Musedays : Sidelong Moodily Obnoxiously Obsessively Spikiest &nb... - Tuesday, August 07, 2007:
Museday Tuesday in which I have thirty minutes to write a thirty second song Carsick : (adj.) suffering from motion sickness caused by a moving vehicle My Composition (0:30 MP3) Old Musedays : Sidelong Moodily Obnoxiously Obsessively Spikiest &n... - Tuesday, July 03, 2007:
Museday Tuesday in which I have thirty minutes to write a thirty second song Leggier : (adj.) having long, attractively shaped legs My Composition (0:23 MP3) Old Musedays : Sidelong Moodily Obnoxiously Obsessively Spikiest &nbs... - Tuesday, June 19, 2007:
Museday Tuesday in which I have thirty minutes to write a thirty second song Spikiest : (adj.) Having the most sharp projecting points My Composition (0:30 MP3) Old Musedays : Sidelong Moodily Obnoxiously Obsessively This week, I permanently cha... - Tuesday, June 05, 2007:
Museday Tuesday Obsessively : (adv.) in a compulsive manner My Composition (0:29 MP3) Old Musedays : Sidelong Moodily Obnoxiously The first concept that popped into my head after randomly generating this adverb was "worrying", in the "worry the end of a rope until it frays" sense, not ... - Tuesday, May 29, 2007:
Museday Tuesday stimulating the udder of creativity for maximum musical lactation The composition can be for any instrumentation. It can have an actual score or be a pure synthesized realization that might not be possible to perform in the real world. It must not be longer than thirty seconds. It does not necessarily have to have a start, middle, and end -- it can just be a fragment of something grander. It must be composed in a single si... - Tuesday, May 22, 2007:
Museday Tuesday stimulating the udder of creativity for maximum musical lactation The composition can be for any instrumentation. It can have an actual score or be a pure synthesized realization that might not be possible to perform in the real world. It must not be longer than thirty seconds. It does not necessarily have to have a start, middle, and end -- it can just be a fragment of something grander. It must be composed in a single si... - Tuesday, May 15, 2007:
Museday Tuesday stimulating the udder of creativity for maximum musical lactation Tuesday is usually reserved for posts on whatever recent news story happens to require my insightful commentary. Recently though, I've noticed that topics with inherent hilarity, such as day labourers with sexually-transmitted diseases or suspected murderers with lambchops at Virginia Tech are becoming increasingly rare. For these tragically unmemorable Tuesday...
